![]() I need a good sleep so I can “see” these articles more clearly. ![]() But my brain is like scrambled eggs right now. Logic tells me the intaglio would work easier with the runnier ink and slightly thicker ink would work best for the relief areas and not be running into the intaglio areas (for a multi-colour collagraph). I’ve not done intaglio or relief work so I have no practical experience to draw on – just what I’ve read. They also suggested rolling up using a hard breyer. ![]() One procedure said to reduce intaglio ink with linseed oil and another suggested using white spirit – both articles stated it should be soft and runnier than for intaglio or lino. I’ve just been doing a lot of reading about collagraphy as I’m doing a workshop soon and want to be well prepared so I don’t waste time. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |